Crafting visions in light, space, and logic
Anchorage, Alaska. Photography, film, web, software. One studio, from the shutter to the delivery.
Position
Most studios hand youthe files andwish you luck.We hand you thebusiness thatruns on them.
One shop, one schedule
Stills, film, the site they land on, and the software underneath. Nothing waits on a third vendor who has never seen the building.
Built to survive the weather
Alaska production since 2010. Narrow light, narrow access, and a schedule that has to hold anyway.
It keeps working after we leave
We built Pixel Dispatch to run this studio, then opened it up. Your project ends with a system, not a folder of files.
- 01
Photography
Stills that hold up at print size. Architecture, aviation, hospitality, product, food, portraits, with national honors on the wall to argue it was not luck. - 02
Film
Motion, start to delivery. Brand films, walkthroughs, aerials, event coverage, directed, shot, cut and colored in house, on a schedule that survives a narrow weather window. - 03
Web
The place the work lands. Sites built, not themed, designed around the photography and film they exist to carry, and fast enough that nobody waits to see them. - 04
Software
Tools built to fit. Custom software for the parts of a business nobody else wants to look at, scheduling, delivery, the handoff that keeps breaking. - 05
Pixel Dispatch
The business management suite behind the other four rows. Booking, jobs, invoicing, delivery, on one record from inquiry to review.
Built here, for us and for you
This studio used to run on six systems that did not talk to each other. Booking in one, invoices in another, galleries in a third, contracts in a fourth, and a spreadsheet quietly holding the whole thing together. Every one of them worked. Together they were a full-time job.
So we stopped stitching and built the one we actually wanted. However work arrives, a booking, a chat, a text, it becomes one job record: scheduled, crewed, invoiced, delivered, reviewed.
We run this studio on it every day. That is the only reason we would put yours on it.
- Operations
- Clients
- Invoicing
- Collaboration
- Reports
Three arrangements. Every one of them runs on the machinery above: Pixel Dispatch, a site built around the work, and the workflow that connects the two.
- 01
Basic
A steady month of work, on the same system this studio runs on.
$1,700/ mo6 month minimum
- 4ReelsIn studio, or within 50 miles of Anchorage
- 4Graphics
- Pixel + Website + Workflow
- 02
Advanced
Double the output, with the posting handled as well as the shooting.
$3,700/ mo6 month minimum
- 8Reels
- 8Graphics
- Pixel + Website + Workflow
- Social media management
- 03
Pro
The year planned out: commercials on a quarterly cadence, and first call on the schedule.
$7,000/ mo
- 12Reels
- 4Commercials a yearOne every three months
- 12Graphics
- Pixel + Website + Workflow
- Social media management
- Priority filming
The studio
A studio and gallery in Anchorage, working worldwide. That room holds the shooting bay, the edit suite, the gear wall, and exhibition space. Crew scales to the production instead of sitting on a payroll, which is how a two-hour headshot session and a week-long commercial both get the right people.
Ryan is an Air Force veteran and former air traffic controller, a certified drone operator, and a private helicopter pilot. That last part is not something we sell. It is why aerial work here gets directed by someone who has actually flown the approach.
Ryan, Founder
- 01Commercial drone operatorFAA Part 107
- 02Second shootersPer production
- 03Colorist & editorIn house
- 04AudioLocation & post
- 05Studio & gear521 W 3rd Ave
Tell us whatyou arebuilding.
The images, the film, the site, and the system that runs the business after we leave.
Start a project